“Spotify in no way benefits from the industry-wide challenge of artificial streaming,” Spotify’s spokesperson said. “We heavily invest in always-improving, best-in-class systems to combat it and safeguard artist payouts with strong protections like removing fake streams, withholding royalties, and charging penalties.”
Fake fans appear to move hundreds of miles between plays
Spotify has publicly discussed ramping up efforts to detect and penalize streaming fraud. But RBX alleged that instead, Spotify “deliberately” “deploys insufficient measures to address fraudulent streaming,” allowing fraud to run “rampant.”
The platform appears least capable at handling so-called “Bot Vendors” that “typically design Bots to mimic human behavior and resemble real social media or streaming accounts in order to avoid detection,” the lawsuit alleged.
These vendors rely on virtual private networks (VPNs) to obscure locations of streams, but “with reasonable diligence,” Spotify could better detect them, RBX alleged—especially when streams are coming “from areas that lack the population to support a high volume of streams.”
For example, RBX again points to Drake’s streams. During a four-day period in 2024, “at least 250,000 streams of Drake’s song ‘No Face’ originated in Turkey but were falsely geomapped through the coordinated use of VPNs to the United Kingdom,” the lawsuit alleged, based on “information and belief.”
Additionally, “a large percentage of the accounts streaming Drake’s music were geographically concentrated around areas whose populations could not support the volume of streams emanating therefrom. In some cases, massive amounts of music streams, more than a hundred million streams, originated in areas with zero residential addresses,” the lawsuit alleged.
Just looking at how Drake’s fans move should raise a red flag, RBX alleged:
“Geohash data shows that nearly 10 percent of Drake’s streams come from users whose location data showed that they traveled a minimum of 15,000 kilometers in a month, moved unreasonable locations between songs (consecutive plays separated by mere seconds but spanning thousands of kilometers), including more than 500 kilometers between songs (roughly the distance from New York City to Pittsburgh).”
Spotify could cut off a lot of this activity, RBX alleged, by ending its practice of allowing free ad-supported accounts to sign up without a credit card. But supposedly it doesn’t, because “Spotify has an incentive for turning a blind eye to the blatant streaming fraud occurring on its service,” the lawsuit said.
